A Collection of musings on music, life, and the world as we know it by someone who shouldn't know better.
Twostepcub's New Music Roundup 04/01/23...
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It's time for my weekly new music roundup, where I feature the big
entries on the Hot 100 as well as my personal choices of the songs
making the various radio charts in Billboard magazine, as well as on the charts in the United Kingdom. This week three completely diverse songs enter in the top-40 on the "big chart"...
As Taylor Swift embarks on her Eras tour, the music phenomenon released four "new" tracks last week, including three reworked songs from her Big Machine days as "Taylor's Version", along with this outtake from the Lover sessions of 2019. The waltz reportedly is about her current boyfriend and British actor Joe Alwyn, and how his experiences with previous girlfriends molded his psyche into the man she fell in love with. In that sense, it is kind weird, but hell a lot of her female (and male) fans feel that way about their own loves, and the spoiler-style look into the beginning of their relationship sure sold the faithful. To me, it's a nice album cut, that may or may not have been missed on the regular Lover release.
Mexican artist Peso Pluma, who produces music in the Corrido tumbado style, which combines the regional Mexican music of Guadalajara and hip-hop/rap delivery has been getting a lot of momentum, and this week five songs featuring him are on the Hot 100 with this one coming all the way up in the top-30. The fusion is apparent when the production of classic rhythms meets the lyrics which is your hitting on a woman dancing in the club, which is universal to the R&B experience in the last 30 years. It's not for me, but wasn't made for me, so no shade to those who are into this, it's musically solid, even if the vocals are a bit overprocessed.
Speaking of overprocessed vocals, the latest single from Jimin of the K-Pop titans BTS rockets its way into the top 40 for his first time as a solo artist. It's odd, since he never released a song called "Set Me Free" before, though in interviews he nods to an unrelated track on bandmate Suga's album. Like Swift and Eslebon Armado's song, this is squarely for the faithful, and not particularly for mainstream consumption. Producers Ghstloop and Pdogg deliver what sounds like a cribbed Kanye West track from a decade ago, while Jimin half-raps and half-sings in this distorted recording that evokes trap music. Still, it's the big and brash that K-pop is known for, and in return the fans gobbled it up like fentanyl, though I don't see this lasting long.
The country bear that rules country radio sends in another preview in advance of his upcoming Gettin' Old album, which came out last Friday and will appear on next week's charts. This is a solid "thankful for what I've got" song, though I believe it's not going to be the radio hit from the set, but rather a teaser.
Billboard Adult Album Alternative (Triple-A) Rock Airplay debut: #30
British Singles Chart debut; #22
Although the Irish singer/songwriter has been mostly absent to pop radio since his big hit "Take Me To Church" in 2014, he's retained a steady profile in the music world as well as with his fans; his second album Wasteland Baby topped the Billboard 200 in 2019 and his self-titled debut is still on the charts. So it shouldn't be a surprise that his new song may make waves, though I'm happily impressed by its showing on the "big" chart, which seems to be more dominated by niche acts and tabloid chasers. In this song Hozier delves into Dante's Inferno folklore, with a falsetto completely different from "Church" though striding the same white boy funk folk from before.
If you're looking for a jam to provide background music for bedroom antics, look no further than this sensual track that has the right rhythm for the back and forth.
With three top-ten rock radio hits under his belt to bust the nepo-baby criticism, Wolfgang Van Halen and his band thrash through his full throttle song that worlds away from his dad's work. The music video is eight minutes of MTV-style bliss as well.
You gotta give some credit to the most-hated band in the business to take it on the chin so gracefully, and this one will push all the nostalgic buttons for late Gen-X er's.
Jason Singer, who fronts the band Michigander, goes all out to poke fun of himself with the music video that turned into another music video about him breaking his leg. But beyond that, the song itself is a sweet whirlwind of emotive rock about the uncertainty of a new love.
It seems like Lacy has had a tough time getting back on the radio after the massive success of "Bad Habit", but it's programmers' loss if they don't jump on this nice free-form song that follows his fresh path.
The 83-year-old soul legend is still in the game as the single from his hilariously-named album Gasms slips on to the older-skewing format list with its smooth and loosely produced charms.
As Bailey's second single "A Rock And A Hard Place" hits the top ten on the Hot 100 and tops the country airplay chart, his new single arrives early previewing his upcoming first full-length album. He has a cadence and melody structure much like Morgan Wallen, without the added baggage.
American DJ Audien and British counterpart Codeko recruit the singer who won the little-known TV songwriting competition Songland for the affable pulse-raiser for the treadmill.
from the album Broken By Desire To Be Heavenly Sent (2023)
British Singles chart debut: #24
British Singles Sales debut: #19
The jovial chap from Scotland doesn't get the props he should for crafting amazingly heartwrenching pieces of music, like this ballad from his upcoming sophomore album.
Half of the pair who brought the world "Messy In Heaven", British newcomer Venbee gets a bit personal with her confessions of a young'n growing up within the pandemic.
Swift has been rerecording her Big Machine music to reclaim her ownership, as well as smooth any cracks, and his stunning collaboration which got the Civil Wars to record (albeit separately) is thankfully back out for the fans. If you're looking for a portend to her Folklore/Evermore period, this is it.
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